Portsoy Inner Harbour
Price range: £10.00 through £40.00Portsoy Inner Harbour on the Moray coast was originally built around 1690 to export Portsoy marble quarried in the local area.
Showing 37–48 of 50 results

Portsoy Inner Harbour on the Moray coast was originally built around 1690 to export Portsoy marble quarried in the local area.

In my watercolour of Potarch Bridge I hope to capture the historic charm of the bridge, nestled in the heart of Aberdeenshire.
Using a limited palette, I’ve focused on the intricate stonework and the serene natural surroundings to bring this iconic Scottish landmark to life.

This watercolour captures the Royal Insurance Building on Union Street, Aberdeen, an iconic structure designed by architect George Bennett Mitchell in 1910.
Known for its granite facade and distinctive octagonal cupola, the building reflects Aberdeen’s architectural heritage as the “Granite City.”
Through a delicate balance of light and shade, this piece highlights the intricate Ionic columns, pedimented windows, and the building’s elegant Renaissance-inspired details.
Situated within the historic landscape of Union Street, this painting invites viewers to appreciate the enduring beauty and craftsmanship of one of Aberdeen’s most notable landmarks.

The Rugged Buchan coastline around Cruden Bay is worthy of a watercolour painting.
The sea was calm. The light was strong. The sandy foreshore contrasts with the rock strata.
The sandy shore makes way for rugged cliffs a few miles north where the coastline is carved out by the North Sea.

Sandend village is perhaps one of the most attractive and smallest of the many old fishing villages scattered along the north-facing coasts of Moray and Aberdeenshire. Artists admire this view, and the end-on houses pointing to the sea are a prime subject to paint.


Delve into the captivating history of St Machar’s Cathedral with a unique watercolour depiction set in 1688.
Unlike a photograph, the painting envisions the cathedral as it might have stood, untouched by various destructive historical alterations

Delve into the captivating history of St Machar’s Cathedral with a unique watercolour depiction set in 1688.
Unlike a photograph, the painting envisions the cathedral as it might have stood, untouched by various destructive historical alterations

The Academy, Schoolhill’ is a calm, detailed watercolour of Aberdeen’s best-loved corner where Schoolhill meets Belmont Street.
The curved granite frontage and copper-tinted dome lead the eye down the sweep of Belmont Street, with church spires beyond.
Painted to feel true to place, it suits both locals and visitors seeking a recognisable city scene.

This watercolour invites you into the Punch Bowl’s hidden realm in Upper Deeside’s Caledonian Forest, where the River Quoich’s crystal waters carve ancient rock basins.
Through vivid brushwork and contrasts of light and dark, the painting captures the wild energy, Scottish lore, and timeless beauty of this secluded Highland sanctuary.

This watercolour invites you into the Punch Bowl’s hidden realm in Upper Deeside’s Caledonian Forest, where the River Quoich’s crystal waters carve ancient rock basins.
Through vivid brushwork and contrasts of light and dark, the painting captures the wild energy, Scottish lore, and timeless beauty of this secluded Highland sanctuary.

In my watercolour “Sunlit Courtyard at Tolquhon Castle”, I capture a 15th-century ruin drenched in golden light.
Using wet-on-wet washes and ink detailing, I juxtapose fluid skies with rugged granite. Subtle highlights and earthy tones evoke history.
Limited-edition A6, A4 and A3 prints are mounted and cellaphane wrapped for protection.
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